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陇东皮影影件种类繁多,而人物是其中最主要的影件,其造型通常可分为现实人物和神怪人物。作为影戏的一部分,人物造型要在有限的空间内与其他场景影件有机地融合在一起,为剧情服务,所以在人物的造型和色彩上要充分考虑表演的客观需要。因此,当地的民间艺人在长期的艺术实践中,总结出了一套平面化、艺术化、戏曲化的造型法则和概括化、象征化、程式化的敷色理念,为皮影的传承与发展提供了理论指导。
Longdong shadow a wide range of films, but the character is one of the most important film, the shape can usually be divided into real people and gods. As part of the movie, character modeling should be organically integrated with other scene videos in a limited space to serve the story. Therefore, it is imperative to fully consider the objective needs of the performance in the style and color of the characters. Therefore, in the long-term artistic practice, local folk artists summed up a set of stylized rules of art which are graphic, artistic and drama, and generalized, symbolic and stylized concepts of color, which provide the inheritance and development of shadow The theoretical guidance.