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中国当代艺术品的外流现象在上世纪90年代初肇始,而接盘对象——西方藏家多属非艺术专业人士,且实力背景和经验值处于初级阶段或是成长期,这样的早期现实造成了现今疲于商业制造的中国当代艺术面对未来上升空间的“双重软肋”!
The outflow of Chinese contemporary art began in the early 1990s and the early reality that the catch-up target was that Western collectors are mostly non-art professionals with strength backgrounds and experience values in their infancy or growth Today’s Chinese contemporary art struggling with commercial manufacturing faces “double weakness” of rising space in the future!