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西方绘画艺术是由传教士传入我国南方沿海地区,其主要目的是为了传播天主教的宗教思想,因此在绘画形式与绘画内容上比较单一,绘画水平也没有达到一定的高度,因此被明清的当代学者评点为“虽工亦匠,不入画品。”经过长时间的中西方文化交流,这样的误会自然也就随时间而消除,但是对于中西方绘画艺术的异同的讨论研究,却从未停止。本文试从透视的角度出发,分析中西方绘画的异同。
Western art of painting was introduced into the coastal areas of the south of China by missionaries. Its main purpose is to spread the Catholic religious thought. Therefore, the painting style and the content of painting are relatively simple and the painting level has not reached a certain height. Therefore, Contemporary scholars commented that “although it is also a worker, it is not a painting.” After a long period of cultural exchange between China and the West, such misunderstandings naturally disappear over time. However, the discussion and research on the similarities and differences between Chinese and western painting art Never stop This article tries to analyze the similarities and differences between Chinese and Western paintings from the perspective of perspective.