论文部分内容阅读
一向以厚重的现实感和恢宏雄深的民族命运关注为其风格倾向、艺术品格而立于画坛的姚天沐,近二十年来,在创作版画的同时,又对传统花鸟画进行探索,开拓出又一片属于自己的艺术天地。 如果说数十年来,他用忘我的生命之情、之志,经历过人生艰苦的磨砺、耐心的寻索后积累起成就自己艺术品的真城厚重的话,那么,这些具有“回归”意味的花鸟之作 则应该说是他绘画艺术中曾有的那种现实精神、生命意识的积淀,在深刻孕育了对生命体悟、对艺术与人生真谛有如反朴归真般反思、深省、彻悟的“变格’后,最终所迸发出对生命本真之灵、之光的抒写热情。由写实、写境到写灵,正所谓参化寓意,‘关心妙悟,感而遂通”。
Yao Tianmu, who has always been paying attention to his style and style of art and standing in the art scene with his heavy sense of reality and magnificent national destiny, has explored traditional flowers and birds painting in the past 20 years while creating prints. Belonging to their own art world. If for decades, he had forgotten the true love of life, his or her ambition, experienced hardships and patience in life, accumulated the true words of his works of art, then those “returning” flowers and birds Should be said that he had the kind of realism in the art of painting, the accumulation of life consciousness, gave birth to a profound understanding of life, the true meaning of art and life as anti-Pu recalls, deep, thorough understanding of "change After the ’grid’, the ultimate burst of enthusiasm for the light of the soul of life, from the realism, writing to writing spirit, is the so-called Senate symbolism, ’care about understanding, feeling and then pass.’