屈指算来,我从事戏曲剧本创作与辅导,已有四十多年的时间。实践证明,对于戏曲工作者来说,要写好唱词调整好押韵,拥有一本韵书实在是太需要了。上世纪七十年代,上级戏剧部门曾给发过一本袖珍本韵辙小册子,很简单只有少量的每个韵辙里的韵字,拿到它如获至宝。到八十年代上级戏剧部门又发了一本《常用字词韵编》与上次所发相比,十三道韵辙完全一样。不过收集的字词增加了不少,使用起来方便了许多。在写戏曲或曲艺唱词时,便不时地翻翻它,还确实帮助解决了押韵的一时之需。至今仍保留在身边。但它毕竟时过境迁,存在着明显的缺憾。 Quite calculating, I engaged in drama scriptwriting and counseling, has more than 40 years time. Practice has proved that, for the opera workers, to write a good tune to adjust rhyme, have a rhyme book is really necessary. Seventies of last century, the higher department of drama has sent a pocketbook rhyme booklet, very simple only a small amount of rhyme in the rhyme, get it as treasure. Up to the 1980s, the department of higher education also made a “commonly used words rhyme” compared with the last time, the thirteen rhymes exactly the same. However, the collection of words increased a lot, a lot easier to use. In writing drama or art lyric, it from time to time flip it, but also really help solve the rhythm of the moment. Still remain around. But after all its passage, there is a clear flaw.