在中国古代文学漫漫长河中,出现了各式各样的妒妇形象。本文主要以明代戏曲家汪廷讷的《狮吼记》为典型来分析古代文学中的妒妇形象,通过受藜刑、跪池、顶灯等情节来说明古代女子的妒主要是性嫉妒,从柳氏的一系列善妒行为中可以看出女权主义的觉醒,一定程度上改变了“男尊女卑”“男强女弱”的局面,从变羊、冥游等情节总结出妒妇形象悲剧结局的必然性,意味深长。在西归、廷荐中可以看出女性在男性世界中仍处于弱势地位,要想达到真正的男女平等还具有艰难性。 In the long river of ancient Chinese literature, there appeared various images of jealous women. This article mainly analyzes the image of jealous woman in ancient literature through the typical example of “Lion Roar” of Wang Tingneng in the Ming Dynasty. It shows that the jealousy of ancient women is mainly sexual jealousy, Liu’s series of envy can be seen in the feminist awakening, to some extent changed the “male superior female ” “male strong female weak ” situation, from the sheep, Image of the inevitability of the tragedy, meaningful. In Xigui and Tingzai, we can see that women are still in a weak position in the male world, and achieving true equality between men and women is also difficult.