造像是藏族美术一个重要的艺术特征。总的来说,表现出造像理想化的夸张变形、现实性的生动真切、抽象式的洗练简约,使藏族造型艺术一目了然。藏族唐卡绘画艺术中,最为重要的是人物造型。前藏、后藏、康巴、安多等地,都有具有本地特点的佛像绘制比例尺度的“粉本”流传。本文以白度母和绿度母作比较,分析两个度母之间的异同。 Statues are an important artistic feature of Tibetan art. In general, the exaggerated deformation of the idealization of statues, vivid reality of reality, and succinct and abstract abstraction, make Tibetan art at a glance. Tibetan Thangka painting art, the most important is the character modeling. Pre-Tibetan, Tibetan, Kham, Ando and other places, there are local characteristics of the scale of the Buddha to draw “Pink ” spread. This paper compares whiteness and greenness to analyze the similarities and differences between the two degrees.