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在汉代墓葬中,大量精美的壁画题材都是以升仙、长生为主体。这些绘制精美的壁画是我国历史文化中重要的组成部分。其中,汉代墓葬中的以升仙思想为主体的壁画占汉代墓葬壁画很大的比重。这些壁画集中反映了当时的社会政治、经济、思想乃至宗教的情况。本文以通过升仙题材中的汉代墓葬壁画的伏羲女娲来简单分析升仙思想在汉代壁画墓葬流行的原因、表达形式以及此类题材壁画出现的溯源探索。在20世纪初开始,日本人就在辽宁地区的辽阳市迎
In the tombs of the Han Dynasty, a large number of exquisite murals are based on the themes of ascending immortality and longevity. These beautifully painted murals are an important part of our history and culture. Among them, the murals with the main idea of ascension and fairy in the tombs of the Han Dynasty accounted for a large proportion of the tombs and murals of the Han Dynasty. These murals focused on the socio-political, economic, ideological and even religious situations of the time. In this paper, we simply analyze the reason and expression of Shang Xian cemetery in the mural tombs in Han Dynasty through the Fu Xi and Nu Wa in the Han tombs mosaics in the rise celestial theme. At the beginning of the 20th century, Japanese people welcomed Liaoyang City in Liaoning Province