迟子建是当下较特出的女作家 ,与其他女作家和晚生代小说家迥然不同。迟子建于传统审美惯性中找到生长点 ,传统成就了她但也迅速开始淹没了她。为了抵抗无奈而必然的淹没 ,她选择诗意作为特出于传统的舢板和普渡莲花 ,在呓语叙述与记忆的当下怀想中构建自己的艺术世界 ,但似乎仍旧无法避免自我包裹、掩耳盗铃式的归宿。迟子建的困境 ,是单凭记忆和想象力进行创作之途径的困境。这也是当前大量作家生活经验和阅读经验极度匮乏 ,导致想象力处于无根浮游的困境 Chi Zijian is a more outstanding contemporary female writer, and other women writers and late generation novelists very different. Chi Zijian find growth point in the traditional aesthetic inertia, the traditional achievement of her but also quickly began to submerge her. In order to resist the helpless and inevitable submergence, she chose poetic as a special art from the traditional slates and Purdue Lotus to construct her own art world in the present nostalgia of narration and memorization, but still seems unable to avoid self-wrapping and deceiving Fate. The dilemma of Chi Zijian is the dilemma of ways of creating solely by memory and imagination. This is also the current lack of experience and reading experience of a large number of writers, leading to imagination in a dilemma