清代台湾番俗图以图文并茂的形式呈现了台湾少数民族的形象、风俗、生计,其视觉表现形式与传统帝国华夷观、清代台湾边疆的社会历史状况相互呼应。作为对台湾边疆“他者”想象与再现的艺术形式,番俗图不只隐含着中央朝廷控制和管理台湾边疆的政策信息,也隐约揭示了汉番融合发展的历史痕迹。 The image of Taiwan’s folk custom in Taiwan in the form of illustrations shows the image, custom and livelihood of the ethnic minorities in Taiwan. Its visual manifestations echo those of the traditional imperial China and the social and historical conditions in the border of Taiwan in the Qing Dynasty. As an art form that imagines and reproduces the “other” of Taiwan’s borders, it does not only imply the central government’s policy information on the control and management of Taiwan’s border areas, but also vaguely reveals the historical traces of the integration of the Han and Han dynasties.