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“沙目琼”鼓舞,是独具民族和宗教特色的原始舞蹈。本文以具有典型特征的青海省循化县道帏藏族乡上部三村的比隆村为例,通过多次到访比隆、贺庄和贺隆堡三村实地访谈和调查,并根据道帏藏族民间“沙目琼”鼓舞的起源和发展比较详实地纪录了其展演过程,指出在社会发展的趋势下保护和传承道帏藏族“沙目琼”鼓舞等民族民间文化遗产的重要性。作为一个极具特色的古老舞种,“莎目琼”鼓舞面临舞种、歌词、舞姿和含义能解释的人日益减少的严峻形势,深入研究“沙目琼”鼓舞文化已刻不容缓的情景之下,本文简单的阐述了“沙目琼”鼓舞的历来及其现状调查研究。
“Saqqiong ” inspiration, is a unique ethnic and religious original dance. This paper takes Bililong village, the village of the third village in the upper reaches of Daozhuang Township, Xunhua County, Qinghai Province as an example. Through several interviews and investigations on Billund, Hezhuang and Helubao villages, The origins and development of the “Samakun” encouragement have recorded the process of its performance in a more concrete manner and pointed out the importance of protecting and inheriting the ethnic and folk cultural heritage of Tibetans such as Tibetans and the “Saqqin” inspired by the trend of social development. As a highly characteristic ancient dancer, “Samadhi Joan” is inspired by the grim situation of dancers, lyricists, dancers and people whose meanings can be interpreted diminishing. It is imperative to delve deeply into the inspiring culture of “Samantha Joan” Under this scenario, this essay simply expounds the history and current status quo of “Samantha Joan”.