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笔者曾经从艺术文本中主要人物和主要事件两个方面的“历史根据充分性”(真实性、客观性、忠实性)角度来观察当下的中国历史题材电视剧,认为大致可以分为“有根剧”(历史正剧)、“半根剧”(历史故事剧,或称历史演义和英雄传奇)、“无根剧”(戏说剧、穿越剧、神怪剧)三个亚类型,其美学精神分属于再现美学、表现美学和戏仿美学。根据郭沫若“写历史剧可用诗经的赋、比、兴来代表”的论述,则可以进一步把以上三种亚类型的历史题
The author has observed the current Chinese historical drama series from the perspectives of “the historical basis of sufficiency” (truthfulness, objectivity, loyalty) in both the main characters and the main events in the art texts and can be roughly divided into “ There are three such as ”root drama“ (historical drama), ”semi-root drama“ (historical story drama, or historical romance and heroic legend), ”rootless drama“ Subtypes, their aesthetic spirit belongs to reproduction aesthetics, performance aesthetics and parody aesthetics. According to Guo Moruo ”to write historical poetry can be used Fu than, than, Xing to represent " argument, you can further the above three sub-types of historical questions