论文部分内容阅读
结合着岁时节庆与神诞祭仪，在庙会外台酬神娱人的歌仔戏；是闽台许多民众所共同拥有的集体生命记忆。而随着社会变迁与城乡结构的演化，目前歌仔戏虽仍有其庙会市场的营运空间，但在观剧环境、戏金收入、演出品质乃至于观众人数等方面，都不免流露着几分左支右绌的窘困。近年来台湾的政府文教部门与民间艺文机构，试图通过各种活动企画，打造外台歌仔戏的“文化场／公演场”。藉此找回了戏棚下流失的观众，也为剧团提供了崭新戏路与提升剧艺的机会。本期中以专文巡礼回顾当前台湾最受瞩目的国艺会“歌仔戏制作与发表项目”与传艺中心“外台歌仔戏汇演”两项重要的外台歌仔戏公演活动，检视其在政策制订、剧团体质与剧坛生态等方面的执行成效与影响效应；并特邀从现代剧场跨界歌仔戏的优秀编导王友辉先生，从其实际参与的创作经验分享、品味现代与传统之间的碰撞与磨和。
In combination with the festivals and sacrificial ceremonies of the age, Taiwanese opera that plays God’s entertainment at the temple fair is the collective life memory common to many people in Fujian and Taiwan. With the social changes and the evolution of urban and rural areas, although there is still space for the operation of the temple fair in the area of opera, there is a slight overstatement left in the viewing environment, opera gold income, performance quality and even the number of spectators Embarrassed. In recent years, Taiwan’s government departments of culture, education and folk arts and folk arts organizations have tried to create a “cultural field / performance field” for the Taiwanese opera in Taiwan by planning various activities. In this way, the lost spectators can be recovered and the theater company is provided with a brand new drama and opportunity to enhance the drama. In this issue, we review the two most important Taiwanese opera performances featuring “Production and Publication of Taiwanese Opera Production and Publication” and the “Taiwanese Opera Troupe in Performing Arts Center”, Taiwan’s most watched performance of the National Arts Council And theater ecology and other aspects of the implementation of the effectiveness and impact effects; and invited from the modern theater cross-border Taiwanese opera excellent director Wang Youhui, from the actual participation of creative experience to share, taste modern and traditional collision and wear.