唢呐是民族吹管乐中最难掌握的乐器。它有着悠久的历史和深厚的民俗底蕴,千百年来,无论是大江南北,城镇乡村,还是达官贵族,平民百姓。每逢喜庆佳节,红白喜事总少不了它的声音。它那独特的音色和曲韵以融于人们的生活。新中国成立之后,随着毛主席的“双百”文艺方针政策的春风,六七十年代出了一批新的唢呐优秀作品。随之唢呐也逐渐走进剧场登上舞台,开始由广场音乐向室内音乐转变。唢呐原来的高亢嘹亮,铿锵激昂的音响效果,也开始向优美婉转的音响效果过渡,即由刚而柔的转变。随着新作品的不断诞生,对唢呐柔美的一面要求越来越高。这就要求唢呐演奏者在弱音的演奏方面要多下功夫。只有这样才能适应和满足广大人民的审美需求。 Suona is the most difficult to master musical instruments. It has a long history and profound folklore. For thousands of years, no matter it is a large town, a town or a village, it is also an official or aristocracy or a common people. On every festive occasion, the happy event is always accompanied by its voice. Its unique tone and rhyme blend into people’s lives. After the founding of New China, with the spring breeze of Chairman Mao’s “double hundred ” literary and art principles and policies, a batch of new suona excellent works were produced in the 1960s and 1970s. Suona then also gradually into the theater boarded the stage, began to change from square music to indoor music. Suona original high-pitched loud, sonorous and passionate sound effects, but also began to graceful transition of the sound effects, that is, just by the soft transition. With the birth of new works, the softened demand for suona is getting higher and higher. This requires that the suona player should work harder in the performance of the mute. Only in this way can we meet and satisfy the aesthetic needs of the broad masses of people.