论文部分内容阅读
在中国戏曲表演艺术中,“技”与“戏”始终是难分轻重与主次的两个基本元素。它是辨证的对立统一关系,“戏”与“技”很难分开。“技”在“戏”里,“戏”在“技”中,技不能离戏,戏也不能没有技,正所谓“无技不成戏、戏不能离技,有技又有戏,技巧才成艺”。本文作者以饰演川剧折戏《拦马》的深切体会,梳理戏曲演员在人物塑造过程中如何掌握好“技与戏”之间的辩证关系。
In the Chinese opera performance art, “skill ” and “play ” are always two basic elements that are indifferent to severity and major and minor. It is dialectical unity of opposites, “drama” and “technology” is difficult to separate. “Technology ” In “Opera ”, “Opera ” in “skill ”, the skill can not leave the play, the play can not be without skills, is the so-called , Skillful and playful, skill is art “. The author deepens his experience of playing Sichuan Opera and ”combating the horse" and combs the dialectical relationship between opera and opera in the process of shaping characters.