从文学剧本到工作台本做了较大的改动。人物上减少了部分又增加了个别:情节上削弱了明线强调了暗线;主题上从单纯的“剋命”引发出了较为复杂的多义性……我们要拍的是一部上下两集的单本剧,时间有限,容量有限。它没有连续剧的优势,可以尽情地铺陈,可以有某些疏忽和不足,它要求我们必得精必得浓,必得画面考究出氛围出意境,必得情节简洁而内容深厚余味存于片外。我们重笔刻划主人翁——“李二家的”。当然,其它人物也同样需要着力刻划,使其有血有肉 From the literary script to the workbench made a major change. The number of people reduced part of the addition of an individual: the plot weakened the line emphasizes the dark line; the theme from the simple “grams of life” triggered a more complex polysemy ... ... we want to shoot is a two sets up and down Single play, limited time, limited capacity. It does not have the advantages of a series, you can enjoy it, there may be some negligence and inadequacies. It requires that we must be exquisite, we must get the picture exquisite mood out of the mood, must plot concise and content deep aftertaste stored in the film. We rewrite the master pen - “Li Er’s.” Of course, other people also need to focus on the same score, make it flesh and blood