时代感·地域性·形式美——海派电视剧《婆婆·媳妇·小姑》艺术谈

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九十年代初,当以《渴望》和《北京人在纽约》为代表的“京派电视剧”红遍全国的时候,同样有着深厚文化根基的海派电视,却没有创作出与之抗衡的电视剧作品。“京派”相继又创作出了《编辑部的故事》、《皇城根儿》、《请拨315》、《东边日出西边雨》等一批以北京地方文化为基础,描写北京人生活、精神面貌、展现其风土人情的电视剧。虽然在“京派电视剧”红红火火时“海派剧”悄无声息,但这或许是一种厚积薄发。1994年岁末, In the early nineties, while “Beijing TV series” represented by “Longing” and “Beijingers in New York” became popular all over the country, there was also Shanghai TV with a profound cultural foundation but did not create the TV drama to contend with works. “Beijing School ” have also created a series of Beijing local culture based on the local culture of “editorial department”, “imperial city root”, “please call 315”, “sunrise east of the west” Life, spiritual outlook, show their local customs and practices of the TV series. Although “Beijing School TV ” booming “Shanghai Opera ” quietly, but this may be a profound knowledge. The end of 1994,
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