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金秋10月,上海国际艺术节“青年艺术创想周”的邀演剧目《狂人日记》(新青年剧团,李建军导演)在上海首演引发争议。中国剧协青年戏剧评论研修班(后面简称“青评班”)的公共微信群对《狂人日记》一片“刻薄”的抨击言辞。如果说前几日的艺术节开幕作品《一江春水》还令青评班的学员们“忌讳”于声讨,那么这出“不知名”剧团的“不知名”导演戏剧作品便成为了众人宣泄其批评热情的窗口,以及坦露个人艺术欣赏习性与经验的良好时机。“听不清台词”、“舞台简陋”、
Autumn in October, Shanghai International Arts Festival “Youth Art Creation Week ” invited repertoire “Madman Diary” (New Youth Theater, director Li Jianjun) debut in Shanghai controversial. The Public WeChat Group of the Chinese Drama Association Youth Drama Review Seminar (hereinafter referred to as “the Youth Apprentice Class”) criticized the Madman’s Diary as “incisive”. If a few days ago the opening of the festival art “a river of spring” also make the green class students “taboo ” in the denunciation, then this “unknown ” theater “unknown ” director drama The work becomes a window on which everyone can vent their enthusiasm for criticism as well as revealing a good time to appreciate the habits and experiences of individual art appreciation. “Can not hear the lines ”, “the stage is simple”,