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通过分析由张艺谋导演的《归来》这部影片的创作特点,解读这部作品在4K技术支持下的审美趣味。从技术为艺术服务角度分析影片4K技术的功用定位,及其与剧情润物细无声的融合;通过与以往作品的类比,品味影片“去色彩化”手段的色彩语言所形成的色彩品格;解析影片中注重情景交融所塑造的“艺术境界”;分析电影艺术中非视觉特征的“内美”在影片中的体现,强调气氛渲染的重要意义。指出《归来》是中国电影史上第一部真正意义的4K电影,革新了中国观众对于电影的拍摄手法与审美方式的理解,预示着中国电影4K时代的到来。
By analyzing the creative features of the film “Return” directed by Zhang Yimou, this paper interprets the aesthetic taste of this work under the support of 4K technology. From the technical point of view of art service, we analyze the function and position of the 4K video technology and silently blend it with the drama mover. Through the analogy with the previous works, the color character formed by the color language of the film “de-coloring” means ; Analyzing “” art realm “modeled by the merging of scenery in the analysis of the film; analyzing the expression of ” inner beauty “with non-visual features in film art in the film and emphasizing the importance of atmosphere rendering. It points out that ”returning" is the first true 4K movie in the history of Chinese movie, which has revolutionized the Chinese audience’s understanding of the filming technique and aesthetic mode, which indicates the arrival of Chinese movie 4K era.