评论摘录颜长江(摄影批评家,策展人):面对三峡纷乱复杂的现实,肖萱安没有慌乱,那么,他有了此间罕见的理性,在他眼里,只有块状的固化的构成,情节、情感看似不见。这反而是坚决的、有力的视觉文本,一张图片,可以像狭路相逢一般,彼此无可逃避,只能冷冷对峙。他拍出了“我”与世界的各自的姿态。他的极简,背后是相当的丰富,他的沉默,其实是强硬的发言,他的理性,其下有最大的情感。最好的作品,是含蓄的,最大的抒 Comments on the excerpt Yan Changjiang (photography critics, curators): In the face of the complex and complex reality of the Three Gorges, Xiao Xuanan no panic, then he had a rare reason here, in his eyes, only the block of the curing composition, plot Emotion does not seem to see. This is instead a resolute and powerful visual text, a picture, which can be like a narrow road, unavoidable to each other, and can only be coldly confronted. He made a “me” with the world’s own gesture. His minimalism, behind the rich, his silence, in fact, is a tough statement, his reason, there is the greatest emotion. The best work is subtle, the greatest expression