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千禧岁末,笔者有幸在香港连看三场由曾慧与著名文武生彭炽权联袂献演的折子戏《白龙关》,比较细致地欣赏了曾慧充分运用“唱做念打”四功和“手眼身法步”五法塑造人物的高超技艺,享受了一次艺术会餐。《白龙关》(下卷),讲述的是赵宋灭南汉统一中国的战争故事:南汉王太子白龙战败逃归,路过飞龙岭。赵宋女将呼延金定镇守白龙关,飞鸟难越。小白龙来到关前,未见敌兵把守,自认为得计,还笑赵宋无能,不善用兵。正自得意忘形之际,内场娇斥一
End of the millennium end, I was fortunate enough to see in Hong Kong even three witnessed by Zeng Hui and well-known Wen Wu-sheng Peng Chi-chuen, acting together performance show off the “White Dragon Pass”, a more meticulous appreciation of Zeng Hui full use of “singing” “Hand-eye step” five characters shaping the superb skills, enjoy an art dinner. “White Dragon Pass” (the second volume), tells the story of the Song and Han South Han unified China’s war story: the South Han Prince Prince White Dragon fled defeat, passing the dragon. Zhao Song Huyin female constable Baoding White Dragon Pass, Difficult birds. Little White Dragon came to the front, there is no enemy soldiers guarded, think they are counted, but also laughing Zhao Song incompetent, poor use of troops. Is the occasion of delusion, infield play a reprimand