苏天赐油画艺术的民族化研究

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一、引言20世纪以来,随着西方绘画思想的不断传入,中国现代绘画呈现出一种明显的“西化”现象,源于西方的中国油画艺术对西方绘画思想更是有一种摆脱不掉的依赖性,而随着徐悲鸿、林风眠、吴大羽等一批艺术大家的归国,中国的油画艺术在民族化改革方面得以显现,并逐步发展成为中国油画创作的根本之路。从此之后,中国的一大批油画创作者开始围绕“民族化”之路发展,其中成就较为突出的当属出生于广东 I. INTRODUCTION Since the 20th century, with the continuous introduction of western painting ideas, Chinese modern painting has shown a clear phenomenon of “westernization”. From the western Chinese oil painting art, there is even more a departure from Western painting ideas. However, with the return of a group of artists such as Xu Beihong, Lin Fengmian and Wu Dayu, the oil painting art in China has emerged in the process of nationalization reform and has gradually developed into a fundamental road to the creation of Chinese oil painting. Since then, a large number of oil-painting creators in China have started to develop around the road of “nationalization.” Among these achievements, those with outstanding achievements were born in Guangdong
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1929年北京大学主办的《自然科学季刊》创刊,1930年武汉大学主办《武汉大学理科季刊》、南开大学主办的《理科学报》创刊,1931年复旦大学主办的《复旦学报(自然科学版)》创刊,标志