京剧一团根据同名话剧改编上演的“杜鹃山”,深受观众的欢迎,不仅是因为剧本所描写的如火如荼的革命故事、叱咤风云的英雄人物具有激动人心的艺术魅力,导演和演员同志们大胆地破格与创新,也是演出成功的一个重要因素。大家知道,京剧艺术久已形成自己的表演程式,生旦净末丑的角色分工就是历来被遵循的一种程式。固然,京剧表演艺术家在扮演同一行当的各种角色(如武松与黄天霸)时,也是“切忌一道汤”地运用表演程式的,但是完全打破行当扮演角色的先例却是很少见的。“杜鹃山”的导演,面对着剧本所提供的新英雄人物来考虑角色分工,传统的行当显然都不完全适合新人物的性格,他 Peking Opera’s adaptation of “Rhododendron Hill”, which is based on the drama of the same name, has been well received by the audience not only because of the revolutionary story described by the script, but also by the influential hero of the all-powerful drama. The directors and performers boldly Breakthrough and innovation, but also an important factor in the success of the show. As we all know, the art of Peking Opera has long formed its own performance program, and the role division of life and death has always been a program that has always been followed. Of course, Beijing opera performers also use the show of acting as a “must-drink” when they play various roles in the same line (such as Wu Song and Huang Tian Pa). However, it is rare for Beijing opera artists to completely break the line of business while playing the role of actress. Director of “Rhododendron Hill”, in the face of the new heroes provided by the script to consider the role of division of labor, the traditional business apparently not entirely suitable for new character, he