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赵权利:您认为当前中国油画存在的问题有哪些? 顾黎明(中国美术学院教授):两个方面:其一是油画语言的单一化,缺少学科之间的交叉和吸收;其二是梯队问题,也是中国油画今后发展的根本问题。目前中国油画的发展趋势已开始出现被动局面。上世纪90年代是中国油画的顶峰期因为这个时期是中国油画真正摆脱政治干扰,横向关注世界艺术动态,深层挖掘个性化语言的繁荣期。而在这个时期,真正成功的应该是60年代到70年代初出生的一代。这代人没有“文革遗风”的影响,在改革开放中成长、成熟起来,没有太高
Zhao Quanli: What problems do you think exist in current Chinese oil paintings? Gu Liming (Professor of China Academy of Art): There are two aspects: one is the simplification of oil painting language, the lack of cross-discipline and absorption; the other is the echelon problem , But also the fundamental issue of the future development of Chinese oil painting. At present, the development trend of Chinese oil painting has begun to appear passive situation. The 90s of last century was the pinnacle of Chinese oil painting because this period was a period in which oil paintings in China truly escaped political interference, horizontally focused on the world art dynamics and deeply tapped the booming period of personalized language. And in this period, the real success should be born in the 1960s to early 1970s generation. This generation has no influence of “legacy of the Cultural Revolution” and grows up and matures in the process of reform and opening up. It is not too high