论文部分内容阅读
“大象无形”并非真正无形,而是在想像空间中对形象的抛弃,其目的和结果是缔造出一个超越现实的突兀的意象,以直觉的方式使读者感受到对现实形象世界的超越,以及伴随这种超越而来的自由和紧张。罗伯特·塞德成功地游走在抽象美学的界域,运用视觉语言和科学技术来表达他的情感世界,以冷与暖、轻与重、动与静、粗野与柔和、线条的流畅与色块的凝重来编织欢乐与悲哀的视觉语言。
“The Invisible Image of the Elephant” is not really invisible, but rather the abandonment of the image in the imagination space. Its purpose and result is to create an obscure image that surpasses the reality and intuitively enables the reader to feel the image of the real world Beyond, and the freedom and tension that comes with this transcendence. Robert Seid successfully walked in the area of abstract aesthetics, the use of visual language and science and technology to express his emotional world, with cold and warm, light and heavy, dynamic and static, crude and soft, smooth lines and colors Block dignified to weave joy and sad visual language.