《原野》是曹禺创作的第三部剧作。由于《雷雨》与《日出》自刊行以来引起的广泛关注及演出效果的巨大成功,使得广大评论者及读者、观众对《原野》抱持了极大期待。然而,《原野》的面世却遭到了“冷遇”:这一方面是由于“抗战”的影响;另一方面则在于,评论界认为其在内容上脱离了革命时代的应有之义,在艺术手法上偏离了现实主义的文学传统,因而作品的缺陷明显。直到20世纪40年代前后,伴随着“曹禺热” “Wilderness” is Cao Yu’s third dramas. Due to the widespread concern and performance success of “Thunderstorm” and “Sunrise” since their publication, the majority of commentators, readers and audiences hold great expectations for Wilderness. However, the advent of “wilderness” came under the influence of “war”; on the other hand, the critics thought it was out of the content of the revolution Meaning, deviated from the literary tradition of realism in the artistic technique, so the flaws of the work are obvious. Until the 1940s, accompanied by “Cao Yu hot”