论文部分内容阅读
从20世纪初起,乔治·埃内斯库(George Enescu,1881—1955)在罗马尼亚和法国首都越来越受欢迎,并获得大家真诚的欣赏。当时他年仅24岁(1905年),已经小有名气,在费利克斯·魏因加特纳(Felix Weingartner)指挥的音乐会中担任独奏,加布里埃尔·福雷(Gabriel Fauré)弹奏钢琴与其合作。他还是巴黎音乐学院的考试评委之一。当时的音乐家圈子怀着浓厚的兴趣聆听他那深深植根于民族血脉之中的音乐,他的音乐也引起大家的讨论,似乎其音乐的引导维度从罗马尼亚音乐文化转向了更高的普世精神层面。1860年,乔治·埃内斯库似乎把最多的精力放在了吹管
From the beginning of the 20th century, George Enescu (1881-1955) became more and more popular in Romania and the French capital and enjoyed its sincere appreciation. At that time, he was only 24 years old (1905), a little famous, solo in a concert directed by Felix Weingartner and played by Gabriel Fauré Piano and its cooperation. He is also one of the judges of the Paris Conservatory of Music. At that time, the musician circle listened with intense interest to his deeply rooted music in the nation, and his music also aroused the discussion of everyone. It seems that the guiding dimension of music turned from Romanian music culture to higher general Spiritual level. In 1860, George Enescu seemed to put the most energy on the blowpipe