《第九区》让尼尔·布洛姆坎普这位年纪轻轻的导演声名大噪。时隔四年,尼尔携手沙尔托·科普雷再度描绘了一个虚拟的世界,《极乐空间》里有似曾相识的矛盾,有更难跨越的距离,而这次的英雄不再是曾经的威库斯,全新的人选已然出现。虚拟时空的建立可以为现实问题的探讨减少许多束缚,尼尔就是这样一位往作品中倾注各种理念的人。在《第九区》里,他运用外星人与人类之间的物种冲突去影射社会现象;《极乐空间》中,他依旧关注着现实社会中存在的各种问题。 Ninth District made the young director, Neil Blomkamp, ​​famous. After a lapse of four years, Neil and Salto Coppola once again depict a virtual world. There is a familiar contradiction in the “Paradise of Bliss.” There is a more difficult distance to cross, and this hero is no longer a prestige Kusi, a new candidate has emerged. The establishment of virtual time and space can reduce many constraints for the discussion of practical problems, and Neil is one such person who devotes his ideas to his works. In “The 9th District,” he used the species conflicts between aliens and humans to map social phenomena. In “The Space of Paradise,” he still focused on the problems existing in the real world.