近几年武艺用传统画材——水墨、宣纸勾勒着青春记忆和梦想,他抛开传统观念对笔墨之“法”的束缚,让笔墨自由地书写心性,散淡而随性,简洁而幽默。那些童年爱不释手的连环画片段和电影情节成为了他重要的创作取材,或许旁观者认为他沉浸其中是自得其乐,而他坦言在这一阶段的绘画中,享受到了前所未有的轻松、愉悦。我想武艺一定是找到回归自己内心的喜悦了。 In recent years, martial arts draws on the memory and dream of youth with the traditional paints - ink and wash paper and rice paper. He puts aside the traditional concepts of “law” of writing and ink, and lets the pen and ink freely write the mind, scattered and casual, simple and concise humor. The cartoons and cinematic plots that he put it down in his childhood have become his important creative sources. Perhaps the onlookers think he is immersed in his own enjoyment, and he admits enjoying unprecedented ease and joy in this stage of painting. I think martial arts must be found to return to their inner joy.