“笔墨互为”是指笔墨的完全融合,自此笔墨再也难以分离。但其中笔、墨二者并不是平等的,而是以笔为主导。谈“笔墨互为”大致会涉及两个方面:其一,发生在形体内部,也就是“工笔画”中要晕染的部分;其二,发生在“轮廓线”上。这两方面在“互为”的过程中基本上是同步进行的,也正是这两者构成了“笔墨互为”的理论基础。“笔墨互为”最为典型的画家是元代黄公望和倪瓒,他们具有一套与前人(唐、五代、两宋)完全不同的“互为”体系,而这个体系中又有着明确的主从秩序,即笔← “Pen and ink each other ” refers to the complete integration of the pen and ink, since then the ink is difficult to separate. However, both the pen and the ink are not equal, but are pen-dominated. On the “pen and ink each other ” roughly involves two aspects: First, occurs in the body, which is “strokes ” to be blooming part; second, occurs in “contour ” . These two aspects are basically synchronized in the course of “mutual ”, and it is exactly these two theories that form the basis of “each other ”. The most typical painters of “Pen and Ink” are Huang Gongwang and Ni Zan of the Yuan Dynasty. They have a completely different system of “mutualism” with their predecessors (Tang, Five Dynasties, and Song Dynasties) There is a clear order of master and slave, that is, the pen ←