数十年来,美术家们以持久而又巨大的热情深入农村,以大体趋同的苏俄模式或年画趣味表现农民,其动员之广、规模之大,为世所仅见。王有政的艺术处于这个大潮之中,却没有被浩如烟海的作品所淹没,反而脱颖而出,显示出了独立的生命力。王有政的艺术萌动于“文革”后期而活跃于“文革”之后。作为对“文革风”的逆动和 For decades, artists, with their long-lasting and tremendous enthusiasm, have gone deep into the countryside and represented peasants in a general convergence with the Soviet-Russian model or the New Year pictures. The mobilization and scale of the peasants were only seen in the world. Wang Youzheng’s art is in this tide, but has not been swallowed up by vast works of art, but stand out, showing an independent vitality. Wang Youzheng’s art sprouted in the late “Cultural Revolution” and became active after the “Cultural Revolution.” As a reactionary to the “Cultural Revolution”