我们应该面对这样一个现实:新时期以来的电影批评(无论是专业影评,还是群众影评)都呈现出日益繁荣、兴旺的发展趋势。特别是随着电影批评从电影理论和电影美学中的剥离,以及域外各种电影批评理论的译介引入和各种批评方法在实践中的借鉴运用,打破了原来大一统的批评格局,使之日趋多元化和科学化。电影批评更加显示出自己的特性,并由此走上了健康发展的轨道。电影批评迅速拓展的趋势和批评实践活动对批评理论的强烈呼唤,客观上要求电影批评自身能摆脱摸索和摹仿阶段,进入自觉的理论建构时期,以完成批评体系的建设,使之成为一门具有科学性的、独立完整的学科。因此,建设电 We should face the fact that the film criticism (whether it is professional film critic or mass film critic) since the new era shows an increasingly prosperous and prosperous development trend. Especially with the film criticism from the film theory and film aesthetics of the stripping, as well as various films outside the film criticism of the translation and introduction of various criticisms and methods used in practice, breaking the original unification of the critical pattern, so that More and more diversified and scientific. Film criticism more shows its own characteristics, and thus embarked on a healthy development track. The rapid development of film criticism and criticism of practice activities on the critical call of criticism theory, objectively requires film criticism itself can shake off the groping and imitation stage, enter the conscious period of theoretical construction, to complete the construction of critical system, making it a Scientific, independent and complete discipline. Therefore, building electricity