论文部分内容阅读
《簪花仕女图》为唐朝一代画师周昉的大作,自诞生以来一直是中国仕女画中的经典,是世界传世孤本。周昉以唐朝宫女的休闲生活作为主要创作题材,以唐朝后宫庭院作为主要创作背景,以朴实的笔触和典雅的意蕴为创作基调,刻画出了惊世之作《簪花仕女图》。千年古画《簪花仕女图》采用长卷构图的方式将六位唐代宫廷女性贵族妇女丰腴动人、热烈放姿、艳而不俗的形象形象生动的展现给世人,作者周昉运用细腻的笔法形象生动地抓住流行在唐代“环肥”之美这一特殊审美时尚,向世人传达着柔和、恬静之美,直观展示了唐代的审美标准和唐代文化的魅力,不仅具备较高的艺术价值,还为世人研究唐代“环肥”的审美观提供参考。
Ladies and Flowers Figure of the Hairpin is a masterpiece of the Zhou Dynasty artist of the Tang Dynasty. Since its birth, it has always been a classic in Chinese ladies’ painting and is the only one handed down to the world. Zhou 昉 took the leisure life of the palace dynasties as the main creative theme. Taking the Tang Palace as the main creative background, with the simple brushwork and elegant implication as the keynote, Zhou dynasty portrays the stunning book “Lady Flower”. Thousands of ancient paintings, “Stylized Ladies Figure” using long scroll composition of the way the six court women in the Tang Dynasty aristocratic women rich and charming, warm posture, vivid and vulgar image vividly demonstrated to the world, the author Zhou Yong use fine brushwork Vividly grasp the popular beauty in the Tang Dynasty “ring fat ” This is a special aesthetic fashion, to convey to the world the soft, quiet beauty, visual display of the Tang Dynasty aesthetic standards and the charm of the Tang Dynasty culture, not only has a higher Artistic value, but also for the world to study the “ring fat” aesthetic view.