孙为民以真挚的感情,思索和描绘他所亲历的人和事,笔端总带有朴素的温情。20年前,他笔下的乡村人物曾经感动许多观众。《腊月》(1984)、《暖冬》(1988)等画与当时流行的同类题材作品之不同,在于情感表现的质朴。90年代以来,他将他所熟悉的那些人物置于斑驳耀眼的阳光和投影之中,从《乡间七月》(1995)、《金色季节》(1996)到《七个姑娘》(2005)、 Sun Weimin with sincere feelings, thinking and depicting the people and things he has seen, pen always with a simple warmth. Twenty years ago, the rural characters he had touched touched many viewers. The differences between the paintings of the twelfth lunar month (1984), “warm winter” (1988) and similar works popular at that time lie in the rustic expression of emotion. Since the 1990s, he has put his familiar characters in mottled sunshine and projection, from “Country July” (1995), “The Golden Season” (1996) to “The Seven Girls” (2005)