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两汉设论文所塑造出来的才德兼备、高蹈超越的自我形象,其实是以朝隐观念为基础的理想化意象。理想化意象以及归因于“时”“命”的合理化论证,使设论文创作模式化并成为自我防御的文学手段。朝隐观念与合理化论证手段在汉末的定型,遂使设论体的创作模式僵化。中唐的韩愈、柳宗元直面并接受自我真实而丰富的情欲世界,形成自传性和自嘲的特点,使设论文重获生机。
The two virtues created by the essay created by the two Han dynasties are both idealistic images based on the concept of dynastic implicitness. The idealized image and rationalization reasoning attributed to “时 ” “命 ”, making the essay writing modeled and becoming the literary means of self-defense. The concept of dynastic implicitness and the justification of the means of argumentation in the late Han Dynasty set the pattern of creation of genre discourse. Han Yu and Liu Zongyuan in the middle of the Tang Dynasty confronted and accepted the world of self-actuality and abundant eroticism, formed the characteristics of autobiographical and self-deprecating, and enabled the essay to regain its vitality.