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《高逸图》湖滨两岸的浅坡及山丘,皆以干笔淡墨施以倪瓒的折带皴,行笔以侧锋为主。正如他自己对倪瓒画法的体会:“
”High Yatu map“ on both sides of the shallow slope and the hills, all with dry pen light ink to Ni 瓒 break zone 皴, pen to side-based. As his own painting of Ni 体 experience: ”