自 1 90 4年王国维借用叔本华美学观念写成《〈红楼梦〉评论》 ,开启中国现代美学以来 ,2 0世纪中国美学经历了从古典到现代、从寂寥到喧嚣再归于平静的学术发展历程。其中不仅呈现了现代中国美学家独特的理论追问精神 ,也浓缩了整个中国人文学术在现代发展之路上的选择与重建 Since Wang Guowei borrowed Schopenhauer’s aesthetic conception into “The Review of A Dream of Red Mansions” in 1944, since the opening of China’s modern aesthetics, Chinese aesthetics in the 20th century has undergone a course of academic development from the classical to the modern, from loneliness to bustle, . Which not only presents the unique theoretical questioning spirit of modern Chinese aesthetics, but also concentrates the choice and reconstruction of the entire Chinese liberal arts on the path of modern development