朝鲜半岛三国时代尤其百济金铜佛像,全面地继承了山东北朝地方性金铜佛像因素,同时吸收了一些南朝造像因素,并出现某些创新表现,从而形成具有自身风貌的佛像系统。新罗统一时代初期佛教造像碑,将百济遗民持有的山东北朝造像因素,与当时传来的初唐造像因素混合造型,形成两个时代造型和思想的集合体。 The era of the Korean Peninsula, especially Baekje gold and copper Buddha statues, fully inherited the factors of local gold bronze statues in the Northern Dynasties of Shandong, but also absorbed some Southern statues and some innovative performances to form a Buddhist statues system with its own style. In the early days of the reunification of Silla, the Buddhist statues of Buddhism blended the statues of the statues of Shandong and Northern Dynasties held by the Baizu descendants with the images of the early Tang dynasty that came into being to form a collection of shapes and thoughts of the two ages.