为革命演戏,坚持演好革命现代戏,这是我们戏曲工作者共同的努力方向。中国京剧院最近到广州演出的《红灯记》,不但体现了他们朝着这个方向大踏步前进的可喜成绩,而且为我们指出了正确的实践途径。我们广东粵剧院全体同志,一次再次地看演出、听报告、学经验、谈体会,展开了一个学习京剧《红灯记》的运动。京剧《红灯记》为什么能演得好?粵剧舞台上为什么还沒有出现象京剧《红灯记》那样革命內容与戏曲艺术形式比较完美地统一,为群众喜闻乐见的剧目?这是我们在学习 Performing for the revolution and insisting on performing the modern revolution in the revolution are the common directions of our opera workers. The recent performance of “Red Lantern” by the Peking Opera Theater in Guangzhou not only shows their gratifying achievements in striding forward in this direction, but also points out the correct way for us to practice. All our comrades in Guangdong Cantonese Opera Theater once again performed their performances, listened to the reports, learned experiences and talked about experiences. They started a movement to study the “Red Lantern” of Beijing Opera. Why did Beijing Opera “Red Lantern” play well? Why did not the Cantonese opera stage appear as Peking Opera “Red Lantern” that revolutionary content and opera art form more perfect unity, loved by the masses loved the repertoire? This is our study