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重新认识电影与文学的关系和新的电影观的确立绝非没有积极的作用,尤其是在世界电影正通过高科技大踏步走向“景观化”、而中国电影由于忽视了视听语言已远远落后于世界电影潮流的时候,这种对电影本性的寻求和回归显得更加重要。
The re-recognition of the relationship between film and literature and the establishment of a new cinema concept are by no means without a positive effect, especially in the world where films are making great strides toward “landscape” through high technology while Chinese films are far from being viewed as audiovisual languages It is even more important to seek and return to the nature of cinema when it lags behind the world trend of cinema.