民国时期,是一个中西艺术理念交融发酵的非同往昔的时期。这一时期的文学、艺术、政治、经济,无不体现出取法于西的鲜明特色,书法更是如此。沈曾植曾在其题跋中曰:“近人始谈美术,此亦美术观念之融通也。”就书法艺术而言,这一中国独有的艺术门类,一直与国画相联,而中国书画历来是一枝独秀的国粹,还没有经过现代艺术意义上的归类和部属。从晚清政府派员去西方留学开始,新一代书画家就开始思考中国书画在世界艺术殿堂的位置。这些经 During the period of the Republic of China, it was a period in which the concepts of Chinese and western art merged and fermented in the past and the past. This period of literature, art, politics, economy, all reflect the distinctive characteristics of the law in the West, especially the calligraphy. Shen Zengzhi once said in his inscription: "In terms of calligraphy, this unique Chinese art genre has always been associated with Chinese painting, while Chinese calligraphy and painting Has always been a thriving national essence, has not been classified in the sense of modern art and subordinates. From the late Qing government sent staff to study in the West began, a new generation of calligraphers began to think about Chinese painting and calligraphy in the world art palace position. These sutras