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广州市文物考古研究院委托湖北省博物馆保护修复31件南越饱水漆木器,为了更好地了解这批饱水漆木器的制作工艺及材质,为其保护和修复提供科学依据,本文选取其中10件具有代表性的耳杯、盘、盒、卮、勺漆膜残片,采用三维视频显微镜、扫描电镜能谱分析、红外光谱分析等现代仪器分析方法,对漆膜的形貌、结构以及成分进行表征研究。结果表明:漆膜主要分为三层,即木胎层、底漆层和色漆层;红色和黑色为当时漆器制作时的主要流行色素,其颜料的主要成分分别为朱砂(硫化汞)和炭黑;部分漆木器在底漆层制作时可能加入了骨灰以增加漆液的黏稠性和器物成型后的坚固性。
Guangzhou Institute of Cultural Relics and Archeology commissioned the Museum of Hubei Province to protect and repair 31 pieces of South Vietnam full of water-lacquered wood, in order to better understand the batch of water-lacquered wood production process and materials, to provide scientific basis for its protection and repair, the paper selected 10 Pieces of a representative cup, plate, box, 卮, spoon paint film fragments, the use of three-dimensional video microscope, scanning electron microscopy, infrared spectroscopy and other modern instrumental analysis of the film morphology, structure and composition Characterization research. The results showed that: the paint film is mainly divided into three layers, that is, the wood tire layer, the primer layer and the color paint layer. The red and black colors are the main popular pigments when the lacquer was manufactured. The main components of the paint are cinnabar (mercuric sulfide) Carbon black; part of the lacquer may be added ashes in the primer layer to increase the viscosity of the paint liquid and the robustness of the molded object.