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20世纪40年代孙犁的现实主义小说理论与小说创作呈现出两种不同的声音。理论上强调对历史的预言,揭示历史的本质,创作却表现当下,并不揭示本质。这两种声音的碰撞,使文本内部充满了张力,呈现出几个特独的主题。
In the 1940s, Sun Li’s realistic fiction theory and novel creation showed two different voices. In theory, it emphasizes the prophecy of history and reveals the essence of history. The collision of these two voices filled the interior of the text with tension and presented several unique subjects.