如果要用“色相”这个词语显而易见的意思来形容孟福伟的雕塑,似乎不太合适,但是深究这个佛家用语,指示为物质的特征,尤其在《涅盘经·德王品四》中写到:“【菩萨】示现一色,一切众生各各皆见种种色相。”或许能豁然开朗,最物质的表象自有直至其根源的本心,在最写实的生活场景中又蕴含着艺术的提纯和典型性。一、小人物的生活叙事 It does not seem appropriate to describe Meng Fwee’s sculpture in the obvious sense of the term hue, but the language of the Buddha is a study of the characteristics of the material, especially in Nirvana Jingdezhenpin IV Wrote: “[Bodhisattva] show the same color, all sentient beings each see a variety of hues.” Perhaps may be suddenly enlightened, the most material appearance of its own roots until its roots, in the most realistic scenes of life and contains Art purification and typical. First, the narrative of the lives of small people