20世纪80年代文学主体性思想提出的目的在于突破文学反映论尤其是机械反映论的理论重围,其现实针对性是明确的。在文学主体论的倡导者看来,它与文学反映论之间的根本对立表现在二者对个体主体性的强调与否上。主体论与反映论的文学现在20世纪以来的中国文学理论史上存在着深层的冲突性关联。主体论者对文学反映论的理解存在明显的偏颇。反映论文学观对文学本质问题的探讨具有一定的理论价值;近来学界关于审美意识形态论问题的争论仍然体现出对于反映论文学观的坚持。 The main idea put forward by the literary subjectivity in the 1980s was to break through the theoretical reverberation of the theory of literary reaction, especially that of mechanical reaction, and its actual pertinence was clear. In the view of the proponents of literary subject theory, the fundamental antagonism between it and the theory of literary reflection is manifested in the emphasis on the subjectivity of the individual. Subjectivity and Reflected Literature There is a deep and conflicting relationship between the history of Chinese literature since the 20th century. Subjectivists’ understanding of literary reflection is obviously biased. It is of theoretical value to reflect that the view of the essay on the nature of literature has a certain theoretical value. Recently, the controversy over the issue of the aesthetic ideology in the academic circle still reflects the insistence on reflecting the view of the essay.