夸张点说来,当代学界确实正处于一个“消解西方神话,重说中国故事”的时代。文学研究和文论研究也是如此。这样讲其来有自,主要原因是当代中国社会剧烈变化,学术景观风云变幻,在全球化语境或谓世界史意识中,经过后学的激发,西学中许多过去以为解决或已有答案的问题正在接受再度审查,而对20世纪80年代以来的诸多问题也是这样。最突出的标志是对“80年代”的书写也似乎成为一个学术热点,人们已不简单停留于从启蒙视角和专业研究的角度理解这过去三十年的学术,而试图在新的思想和学术语境中理解。本文只是从知识学的角度对三十年来文论和美学进行简要回顾,以期从大体上把握其中人文内涵的演进过程。 To put it in an exaggeration, contemporary scholarship is indeed in an era of “dispelling Western mythology and retelling the story of China.” The same is true of literary and literary studies. The main reason for this is that the social changes in contemporary China are drastic and the academic landscape is changing. In the context of globalization or the awareness of world history, after the motivation of post-schooling, many of the western schools think of solving or having answers in the past The question is being re-examined, as are many of the problems since the 1980s. The most prominent symbol is that the writing of the ’80s also seems to be an academic hot spot. People have not stopped simply from understanding the past three decades of academic study from the perspective of enlightenment and professional studies, And understanding of the academic context. This article only briefly reviews thirty years of literary theory and aesthetics from the perspective of knowledge, with a view to grasp the evolution of the connotation of humanity in general.