本文从接受美学的角度，通过对中国古代诗学中诸如“知音”、“兴”、“自得”、“诗为活物”、“三分诗、七分读”、命题的审视，说明文学作品究竟是鱼目还是珍珠，是瓦釜还是黄金，须有待于读音阅读接受的品鉴。读者阅读是文学的最高审判者，既能鉴别作品的美丑优劣，又能标志作品价值的生成与建构。正是由于读音的这种参与意识和创造意识，给作品带来了流布后世的生命力。 This article, from the perspective of accepting aesthetics, illustrates the literature through the examination of the propositions in ancient Chinese poetics such as “companion”, “Xing”, “self-sufficiency”, “poetry is living thing”, “three poems, seven points reading” Whether the work is a fish head or pearl, tile kettle or gold, to be read in reading to be tasting. Readers’ reading is the highest judge of literature, which not only can distinguish the pros and cons of beauty but also marks the creation and construction of the value of the works. It is because of this awareness and creative awareness of pronunciation that bring the vitality of the later generations to the work.