女性解放,作为五四新文化运动的一部分,曾数度演绎于早期华语电影之中。本文以中国古典文艺中的“思春”、“闺怨”、“私奔”等诗学主题观照华语电影中的女性叙事,从而解构影片中“新女性”的现代性与革命性,进而提出女性回归传统之城的历史必然性。 Female liberation, as part of the May Fourth New Culture Movement, has been interpreted several times in early Chinese films. This dissertation attempts to deconstruct the modernity of the “new women” in the film by taking the female narratives in Chinese films as the themes of poetic themes such as “Si Chun ”, “Gui Yan ” and " And revolutionary, and then put forward the historical inevitability of women returning to the traditional city.