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瞿昙寺回廊佛传壁画是明清之际壁画艺术的重要遗存,正在引起美术史界的高度关注。以往回廊壁画的研究多为当地考古工作者的概括描写,同时对壁画内容也未作一个完整准确的辨识,对壁画表现的艺术风格及其在中国美术史上的地位更少有涉及,本文考察了瞿县寺建寺史实,首次完整辨识瞿县寺回廊佛传壁画的内容,复原了不同时期壁画的次序,并就壁画风格进行分析。
Qu Tan temple corridor Buddhist murals is an important remnant of mural art during the Ming and Qing dynasties, is aroused great concern of art history. In the past, most of the research on the mural paintings in the gallery was mostly the general description of the local archaeologists. At the same time, it did not make a complete and accurate identification of the mural painting contents. It also had less influence on the mural’s artistic style and its status in Chinese art history. For the first time, the content of Buddhist murals in the corridor of Quxian Temple is completely recognized for the first time, the order of murals in different periods is restored, and the style of the murals is analyzed.