人类的艺术实践表明,作品的艺术形式,不仅作为思想内容的一种传达方式,它本身就是内容在长期积淀后的艺术生成物。一部优秀的作品,其丰富的内涵及诱人的魅力,就在于它给人们创造了一个独特而又完美的艺术境界。在这个境界里,人们往往将内容与形式融为一体来欣赏,甚至忘却了形式的存在。安德烈·塔尔柯夫斯基的成就之一,就在于他在自己一系列影片的创作过程中,找到了“一种最能转达作者内心世界、最能体现他对理想的渴望的形式”。它不仅使电影表现一般的外部运动,而且探入人的心灵,将隐秘而又复杂的“内部运动”呈现在画面上,从而创造出一种复合的电影结构,给观众展示出一幅幅丰厚、立体的全知世界。应该承认,形式的选择是艺术家心灵语言的一种发现,同时也是艺术家对 Human’s artistic practice shows that the artistic form of a work not only serves as a way of conveying the content of thought, but also is an art production itself after long-term accumulation of content. A good work, its rich content and attractive charm lies in that it gives people a unique and perfect artistic realm. In this realm, people tend to admire or even forget the formal existence of content and form. One of Andrei Tarkovsky’s achievements is that he has found in his own series of film creations “a form that best conveys the author’s inner world and best embodies his desire for an ideal ”. It not only shows the film as a general external movement, but also explores the human mind, presenting hidden and complex “internal movements” on the screen, creating a composite film structure that shows the audience a rich , Three-dimensional all-knowing world. It should be admitted that the choice of form is a discovery of the artist’s spiritual language and is also an artist’s choice